My practice is primarily informed by semiotics of external space and improvised systems of public space like methods of traffic and construction work.

I denote informal space through material investigations. I study colour combinations of the semiotics of common traffic apparatus and the raw materials of the obstacles of a construction site.

I use drawing as sculptural instructions, with influence taken from found situations and street interventions.

The flux of construction is reflected through the ephemeral ‘rehearsal’ of installation, a required procedure of displacing and replacing found industrial props or fabricated sculptural components within the studio context. 

My methods of research are compiled in both a visual archive and studio archive. 


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